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THE CUTTING ROOM.

Seven years behind a camera, from Bhailo nights in Chitwan to wedding floors and campus stages — now with a second cutting room where the editor is an agent and the timeline is HTML.

TWO WORKFLOWS// hands on the dials, or hands on the system

  1. THE CLASSIC CUTShoot on the a6700 (or drone). Select ruthlessly. Cut in Premiere, motion in After Effects, grade with a disciplined LUT library. Music drives the cut, not the other way around.
  2. THE AGENT CUTScript → storyboard → HTML composition → deterministic render to MP4. My video-editor agent applies encoded pacing and motion taste, then verifies its own rendered frames before I ever look. High level: the machine edits, I direct.
  3. THE CONTENT FACTORYFor volume work: batch pipelines with posting calendars, verify logs and re-render queues — 30-clip short-form runs, treated like software releases.

RECENT CUTS// 5-second bites, muted

LANGTANG REEL — A6700 + AGENT CUT — 2026
WEDDING FILM — CLIENT — 2026
APPYNOX PROMO — HTML→MP4 — 2026
MUSIC VIDEO — DARSAN — 2025
MUSIC VIDEO — UD JAYEGA — 2025
CINEMATIC REEL — HAULE SE — 2025

FULL CUTS// click to load — youtube stays outside until invited

DIMENSION// the education channel — 647 subscribers of pure signal

Walking Nepali students through IOE admissions and scholarships, one honest interview at a time. @dimension_study →

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