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THE CUTTING ROOM.
Seven years behind a camera, from Bhailo nights in Chitwan to wedding floors and campus stages — now with a second cutting room where the editor is an agent and the timeline is HTML.
TWO WORKFLOWS// hands on the dials, or hands on the system
- THE CLASSIC CUTShoot on the a6700 (or drone). Select ruthlessly. Cut in Premiere, motion in After Effects, grade with a disciplined LUT library. Music drives the cut, not the other way around.
- THE AGENT CUTScript → storyboard → HTML composition → deterministic render to MP4. My video-editor agent applies encoded pacing and motion taste, then verifies its own rendered frames before I ever look. High level: the machine edits, I direct.
- THE CONTENT FACTORYFor volume work: batch pipelines with posting calendars, verify logs and re-render queues — 30-clip short-form runs, treated like software releases.
RECENT CUTS// 5-second bites, muted
FULL CUTS// click to load — youtube stays outside until invited
DIMENSION// the education channel — 647 subscribers of pure signal
Walking Nepali students through IOE admissions and scholarships, one honest interview at a time. @dimension_study →
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